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Thank you for purchasing Fundamental Harmony!
Here is an appendix for the book, with theoretical info that's made relevant to the classical guitar: click here
The book is centered on practicing foundational harmonic progressions (triads and The Rule of the Octave) and getting a feel for how certain keys can create vivid moods and emotions in pieces. Here are some resources to help you practice harmony:
Videos of triads from Fundamental Harmony: click
Here is a video that describes the Rule of the Octave: click
Pieces that were composed using the quotes as a guide (also below): click
How to use the book:
In a nutshell: I'd suggest taking some time to simply practice the triads and then trying to identify any triads/chords that you find in pieces. Becoming fluent with triads and their inversions is a really helpful step for opening up the realm of harmony. I suggest the following:
1) Play the triads and say the individual note names
2) Play the triads and say the chord name and inversion (for example, C Major in root position, etc.)
If you don't find these resources helpful, then I'm more than happy to provide extra resources for you that can help you with any specific question you have.
I'd also appreciate any feedback you have that could help me improve the book. What would you find most helpful that I could add to the book?
Here is an appendix for the book, with theoretical info that's made relevant to the classical guitar: click here
The book is centered on practicing foundational harmonic progressions (triads and The Rule of the Octave) and getting a feel for how certain keys can create vivid moods and emotions in pieces. Here are some resources to help you practice harmony:
Videos of triads from Fundamental Harmony: click
Here is a video that describes the Rule of the Octave: click
Pieces that were composed using the quotes as a guide (also below): click
How to use the book:
In a nutshell: I'd suggest taking some time to simply practice the triads and then trying to identify any triads/chords that you find in pieces. Becoming fluent with triads and their inversions is a really helpful step for opening up the realm of harmony. I suggest the following:
1) Play the triads and say the individual note names
2) Play the triads and say the chord name and inversion (for example, C Major in root position, etc.)
If you don't find these resources helpful, then I'm more than happy to provide extra resources for you that can help you with any specific question you have.
I'd also appreciate any feedback you have that could help me improve the book. What would you find most helpful that I could add to the book?
Bonus Resources
Because you're interested in harmony, you have a special gift that I want to help develop and nurture as much as possible.
Here are two resources I'd like you to have. One is for those who wish to learn triads thoroughly and the other is for those who need a more structured practice routine that's especially focused on harmony.
Because you're interested in harmony, you have a special gift that I want to help develop and nurture as much as possible.
Here are two resources I'd like you to have. One is for those who wish to learn triads thoroughly and the other is for those who need a more structured practice routine that's especially focused on harmony.
By learning one key per day, you can master the important major and minor triads in 2 weeks with just a little practice each day. There are short musical examples to analyze (submit your answers if you like) and videos to help you learn the triads.
This contains exercises, studies and pieces all bunched together by key, giving you a structured and thorough method to absorb different keys
Please check out these other resources that may interest you:
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Discover new ways to practice this gorgeous piece to enhance your understanding and technical mastery.
This book aims to simplify the learning process by breaking the piece down into its constituent parts. It makes a great combo with Fundamental Harmony, as you'll see many of the same chord structures at work in Recuerdos de la Alhambra. There’s also detailed information on practicing the tremolo technique. |
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What kind of arpeggios were the great 19th century virtuosos such as Mertz, Sor, Carcassi, and Pratten practicing?
These more obscure arpeggio patterns are fun, challenging, and relevant to music-making. Open up new doorways towards composing and improvising by practicing like the great 19th c. masters! Combine these arpeggios with the exercises in Fundamental Harmony for a match made in Heaven. This process is also a great first step towards composing and improvising. |
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If you're looking for a refreshing alternative to Segovia's Diatonic Major and Minor Scales, then these scales provide the answer.
Mertz's scales do not traverse as many octaves as Segovia's, so they are great material for beginner level, as well as advanced level guitarists. In addition, Mertz provides beautiful chord progressions after each scale. Combining scales and chords makes for a great technical workout, so this book can accompany Fundamental Harmony very nicely. - Includes appendix and videos |
Compose your own beautiful piece in 1 month
Picture how would it feel to play your own piece...This is your chance to really make it happen!
Learn to compose using a simple 4 step method, based on how the old masters learned to write music.
Composing puts all you know about harmony into practice. The building blocks in Fundamental Harmony provide a great start for composing, but taking this course will guide you thoroughly towards having a special piece of your own to play.
Picture how would it feel to play your own piece...This is your chance to really make it happen!
Learn to compose using a simple 4 step method, based on how the old masters learned to write music.
Composing puts all you know about harmony into practice. The building blocks in Fundamental Harmony provide a great start for composing, but taking this course will guide you thoroughly towards having a special piece of your own to play.